Ann Friedman

 

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Personal Hemline Index

Posted by Ann on Wed, 05/16/2012 - 01:02
#fashionz

1. Notice hemline on Finnish fashion blog.

2. Cut hemline into all thrifted skirts.

3. See hemline on five other ladies at SXSW.

4. Receive reports that this hemline is on every lady at the Rose Bowl flea.

5. Slowly begin to phase hemline out of regular rotation.

6. See three versions in Urban Outfitters catalog.

7. Give away all skirts with this hemline.

8. See it touted as "the new hemline" in J.Crew catalog.

9. See it for sale at Target. In jersey knit.

10. See it on every other lady on the street.

11. Repeat.

Mullet hem is at phase 5. Sad to see you go, mullet hem. We had some good times.

National Magazine Award Nominees: A Byline Gender Count (With Links!)

Posted by Ann on Tue, 04/03/2012 - 12:51
#ladyjournos
ASME announced the National Magazine Award finalists today. Women hold their own or dominate in servicey categories (public interest, personal service) and fiction. They are not represented at all in the categories of reporting, feature writing, profile writing, essays and criticism, columns and commentary. (I only counted individual-byline categories, not editorial packages or section awards.)
 
NEWS AND DOCUMENTARY PHOTOGRAPHY -- 1 woman, 4 men
Harper’s Magazine for “Juvenile Injustice,” October -- Richard Ross
Harper’s Magazine for “Uncertain Exodus,” July -- Ed Ou
National Geographic for “Too Young to Wed,” June -- Stephanie Sinclair
The New York Times Magazine for “From Zero to 104,” September 4 -- Damon Winter
TIME for “Birds of Hope,” January 17 -- James Nachtwey
 
 
FEATURE PHOTOGRAPHY -- 1 woman, 4 men
National Geographic for “Taming the Wild,” March -- Vincent J. Musi
The New York Times Magazine for “Touch of Evil,” December 11 -- Alex Prager
TIME for “Portraits of Resilience,” September 19 -- Marco Grob
Vogue for “Lady Be Good,” March -- Steven Klein
W for “Planet Tilda,” August -- Tim Walker
 
PERSONAL SERVICE -- 3 women, 1 man, 1 without byline
Glamour for “The Secret That Kills Four Women a Day,” June -- Liz Brody
Good Housekeeping for “Fractured,” July -- Susan Ince
Real Simple for “Your Holiday-Spending Survival Guide,” November
Redbook for “Would You Get a ‘Mommy Tuck’?” April -- Hallie Levine
San Francisco for “The New School of Fish,” February -- Erik Vance
 
 
PUBLIC INTEREST -- 4 women, 1 man
5280 Magazine for “Direct Fail,” December -- Natasha Gardner
Harper’s Magazine for “Tiny Little Laws,” February -- Kathy Dobie
Marie Claire for “The Big Business of Breast Cancer,” October -- Lea Goldman
Men’s Health for “The Signature Wound,” November -- Bob Drury
The New Yorker for “The Invisible Army,” June 6 -- Sarah Stillman

REPORTING -- 0 women, 5 men

The Atlantic for “Our Man in Kandahar,” November -- Matthieu Aikins
Los Angeles for “What Happened to Mitrice Richardson?” September -- Mike Kessler
The New Yorker for “The Apostate,” February 14 & 21 -- Lawrence Wright
The New Yorker for “Getting bin Laden,” August 8 -- Nicholas Schmidle
Vanity Fair for Echoes From a Distant Battlefield,” December -- Mark Bowden

FEATURE WRITING -- 0 women, 5 men
Esquire for “Heavenly Father!” October -- Luke Dittrich
GQ for “The Man Who Sailed His House,” October -- Michael Paterniti
The New York Times Magazine for “You Blow My Mind. Hey, Mickey!” June 12 -- John Jeremiah Sullivan
The New Yorker for “A Murder Foretold,” April 4 -- David Grann
Rolling Stone for “Arms and the Dudes,” March 31 -- Guy Lawson

PROFILE WRITING -- 0 women, 5 men

D Magazine for “He Is Anonymous,” April -- Tim Rogers
ESPN The Magazine for “Game of Her Life,” January 10 -- Tim Crothers
Men’s Journal for “The Blind Man Who Taught Himself to See,” March -- Michael Finkel
Rolling Stone for “Santiago’s Brain,” December 8 -- Jeff Tietz
Sports Illustrated for “Dewayne Dedmon’s Leap of Faith,” November 14 -- Chris Ballard

ESSAYS AND CRITICISM -- 0 women, 5 men

Esquire
for “The Loading Dock Manifesto,” May -- John Hyduk
GQ for “Too Much Information,” May iPad Edition -- John Jeremiah Sullivan
New York
for “Paper Tigers,” May 16 -- Wesley Yang
The New Yorker for “The Aquarium,” June 13 & 20 -- Aleksandar Hemon
Slate for “The Stutterer: How He Makes His Voice Heard,” February 22 -- Nathan Heller

COLUMNS AND COMMENTARY -- 0 women, 5 men

The Atlantic
for columns by James Parker
Field & Stream
for columns by Bill Heavey
Los Angeles for reviews by Steve Erickson
TIME for columns by Joel Stein
Vanity Fair for columns by Christopher Hitchens

FICTION -- 3 women, 2 men

The Atlantic
for “Scars,” Summer 2011 -- Sarah Turcotte
McSweeney’s Quarterly for “Ambition,” April -- Jonathan Franzen
McSweeney’s Quarterly for “The Northeast Kingdom,” August -- Nathaniel Rich
Virginia Quarterly Review for “La Moretta,” Fall -- Maggie Shipstead
Zoetrope: All-Story for “The Hox River Window,” Fall -- Karen Russell

 

International Slutty Women's Day: A Story in GIFs

Posted by Ann on Thu, 03/08/2012 - 03:28
#womenfolk

The year was 2012. Women were basically just hanging out.

You know, doing lady stuff.

We'd gotten used to the fact that, for decades, people have been trying to tell us what to do.

That we should pay attention to our ticking biological clocks, lest we become dried-up old spinsters.

That we should/shouldn't/should settle and marry a dude who sucks. 

That we're a drag on society if we choose to have babies without marrying, but that abortion is objectively wrong (well, except in cases when some dudes say it isn't), so we can't choose if and when and how to have one. You know, for our own protection.

That we were asking for it.

This is just an unending onslaught of bullshit! It is so tired. I mean, how many times do we have to remind you to get your laws—and sometimes your actual hands—off our bodies?

And now, the latest: that we're sluts if we use birth control?!

Let's reiterate: Now we're sluts if we don't have abortions? Apparently this term applies to anyone with a

Wait, what?

This makes us want to hurl.

Or maybe just drink copious amounts of boxed wine.

But the thing is, we're pretty used to fighting these battles. We see your side-eye when we buy Plan B.

We've driven our friends across state lines so they can get an abortion without your stupid 24-hour waiting period.

We've footed the bill for not only our own birth control pills, but for the backup box of condoms. Now you want to make it even harder to get contraception? We are over it. 

In case you haven't noticed, you are old and increasingly politically irrelevant.

So please, COME AT US, BROS.

Let's fight this one out.

Because women (and people who respect women's autonomy) are a pretty significant portion of the population.

Seriously. And have a very happy International Women's Day.

How Editors Work (Or, Why Databases Won't Solve the Byline Problem)

Posted by Ann on Fri, 03/02/2012 - 13:20
#realtalk, #ladytors

When it comes to diversifying the bylines that appear in national thought-leader magazines, I've long advocated we target editors. Sure, women pitch less. But most pieces, especially those written by freelancers in influential national magazines, are not assigned on the basis of cold pitches. Editors have an idea, or the outline of an idea, for a particular issue, and we reach out to an experienced writer in our personal network to report and write it. If such a writer doesn't leap to mind, we'll survey the landscape. Which other journalists are writing about this stuff in our competing publications, in niche media, in slightly smaller venues? We ask other editors who they'd recommend for the assignment. 

You know what we never do? Check a database. Especially a database for which the primary criteria is gender or race. Sorry.

This is why I made LadyJournos a regularly updated feed—a source of names and work samples that shows up where editors are already searching for writers: on Twitter and in their RSS feeds. Thanks to tagging, it's still searchable as a database if a heroic editor chooses to use it that way. But mostly it's a way for editors to easily access a steady stream (or, let's be honest, sometimes a trickle—I'm busy!) of up-and-coming women writers without going out of their way to find them. This is also why I support the #promotewomen idea of sending three emails to editors you know, directly connecting them with women journalists. Where do editors look for writers first? The email inbox. 

Let's be clear: I don't think this should be the only approach to closing the byline gap. I just think it'll be the most effective. When dismal statistics crop up every few months, it's great to highlight a handful of journalists who aren't getting enough attention. It can be helpful to target media awards, already well-known media commentators, and other people and places where the industry goes to talk about itself. A few weeks ago, Rachel Sklar and I were chatting about the Mirror Awards for media criticism. She was rallying journalists to nominate more women critics for the prize after the organizers shrugged their shoulders about the dearth of female applicants. These are efforts to change the narrative—that make clear that women writers are out there, doing this work.

But they are not of particular use when it comes to the daily assigning work of most editors. The magazines that are achieving gender parity—GOOD and Mother Jones—are edited by women with diverse professional networks. We have to expand other editors' networks, diversify the names that flow through their Twitter and RSS feeds and their inboxes, if we want to change the ratio.

Thought Leadership by Gender, as Reflected in Bylines

Posted by Ann on Wed, 02/29/2012 - 00:50
#ladytors

According to the latest Vida numbers, women aren't thought-leaders.

I did a byline count for the three issues of GOOD that I've been responsible for as executive editor. My professional network is mostly women, our editors are mostly women, and it's always seemed to me like I disproportionately assign to women writers. But I was wrong. GOOD has published 25 women and 25 men. In 2012, it's still astoundingly easy to conflate mere parity with female domination. Proud to be in your company, Granta.

On talent

Posted by Ann on Fri, 01/20/2012 - 03:01

A friend recently said to me, of another friend's photography: "She's so talented!"

This was, of course, meant as the highest of compliments. She makes such great photos, and she makes it look easy. 

It's not easy. This woman has quit her job and moved to a wretched town and gone into debt and clocked countless hours focusing on her craft, sharpening it. To call it talent is to erase these sacrifices. To call it talent is to erase her debt, her hours, her choice. This is not the result of natural aptitude. This is the opposite of a gift.

I can't wait to say I knew her when. I can't wait to say I knew her during. Because soon all anybody's going to see is the finished product, which is beautiful but not as beautiful as the process.

The Ham Was Good, However.

Posted by Ann on Thu, 09/29/2011 - 00:48
#midwestdiva

The supper club is "an American dining establishment generally found in the Upper Midwestern states of Wisconsin, Minnesota, and Michigan." Ahem, and Iowa and Illinois. "These establishments typically are located on the edge of town in rural areas. They were traditionally thought of as a 'destination' where patrons would go to spend the whole evening, from cocktail hour to enjoying night club style entertainment after dinner."

For every milestone birthday, anniversary, graduation, Easter, Monther's Day, or funeral in my family, there is usually a meal at Timmerman's Supper Club in East Dubuque, Illinois. A review:

Timmerman's modernistic architecture style brought in customers from miles around as it was always busy. One Saturday evening in the 1960's, Timmerman's served over 900 meals in their dining room. It was quite the goldmine for the Timmerman family.

Quite the goldmine!

It was packed around 11 a.m. when we showed up, but with Timmerman's large dining rooms (they can seat about 350 people) we were able to be seated right away, albeit at a table not next to a window with a panoramic view of the river.

Being seated right away: Core midwest value.

Quite honestly, the roast beef was overcooked and dry. The ham was good, however, and for a buffet Eggs Benedict, it wasn't bad. We went back one more time to try some other things that were on the buffet, but I had another slab of ham to go along with some veggies off the relish tray they had. I also had one of their cinnamon rolls which wasn't that bad.

Relish tray. Slab of ham.

Overall, I'd give Timmerman's an above average rating for their Sunday brunch buffet, mainly due to the large selection of food they have. In fact, they may have too much food. If they'd cut back on some items and focus on others it could be a lot better. But I don't think that Timmerman's would do that.

Never.

Editing as Performance Art

Posted by Ann on Fri, 09/09/2011 - 00:19
#ladytors #realtalk

“I’m looking for the absolute strongest journalists for these positions, and looking for what will be best for The New York Times,” said Abramson. “I don’t care about the element of surprise. Doing my job is not a public performance. ‘Oooooh, I want the news to be received with surprise!’ That is not something I pay attention to.”

While I obviously love the ladyboss fuck-you vibes, Jill, I think you're wrong. Your job IS a performance, at least in part, because you are not just an editor, you are a figurehead. Own that role. And you know what? The assertion that there is objectively a "strongest journalist" for any given position undermines your own decision-making skills and particular point of view. I get it. You don't want to waste your time on some WWD idiot grubbing for a two-second scoop. Understandable. But just make a quick comment about "exciting changes" and get on with your 80-hour work week. You have a vision to implement.

The Future Is Now!

Posted by Ann on Tue, 08/16/2011 - 00:38
#realtalk

Lady, Where's My Magazine?**

Posted by Ann on Wed, 05/18/2011 - 12:17
#realtalk #lolz

NEW YORK — A few months ago, GOOD magazine executive editor Ann Friedman and Mother Jones editors-in-chief Clara Jeffery and Monika Bauerlein went out to dinner in San Francisco. It was, in Jeffery’s words, a “very womanly dinner.”

Once the waitress came around to take drink orders, Friedman made the great faux pas of ordering a whiskey.

“I was like ‘Girl! What? You want that straight?’” said Jeffery, who ordered a margarita with salt.

Sh-t talk began. Bauerlein had ordered a white wine.

“We were giving Ann a hard time because she wanted a, quote-unquote, ‘serious man-drink’ to start off the meal,” Bauerlein said with a giggle. “She got a lot of grief from us.”

Just a night of ladies being ladies, gals being gals, but there’s a lot of this going around West Coast media these days. In fact, you don’t have to look farther than the youngish, stylish, literate and street-jargoned top editors at GOOD and Mother Jones. They’re ladies; they’re editors. Ladies and dudes, meet the lady-editors.

They are gals who preach a certain carefree editorial attitude — or, as Friedman put it, “You can work hard and play hard, but if you're a woman, mostly work hard.” These are all ladies who don’t exactly reflect the tightly wound, hyper-neurotic editor of yesteryear. They aren’t Newsweek editor Tina Brown with her stiff coif and British affect, or ... well, honestly there aren't that many lady-editors of yesteryear, but had they been around, they would have most certainly been uptight feminist killjoys.

In one respect, Bauerlein, Jeffery, and Friedman— all hired to their posts at general-interest magazines in the last 5 years — are the first group that could realistically be described as a "crop" of lady-editors, all of them in their 30s and 40s. They’ve been brought in to reinvent general-interest magazines at a time when these magazines need reinvention.

“They’re the next generation,” said a crusty old dude-itor. “I think they’re great editors. They’re not the future — they’re the present. They will be the ladies who will figure everything out. Or not.”

And they definitely are a new generation. “I had never even heard of them until this month,” said one of the dozens of male editors-in-chief. "But that's actually due to a medical condition I have called vagina-blindness."

Doctor! You’ve got to be fooling.

“Well, what convinced Mother Jones to hire to two women to edit a national magazine that has a large men’s readership?” said Friedman.

Great question, woman!

Two of the three lady-editors have kids and are married—but all three project a certain aura of feminine confidence, a swagger that’s in demand these days, a generational cool. Publishers and business side folks need an editor who can see the present, the past and the future. Lady-editors can do that — they’re girls, they’re women, they’re literary, they’re digital. They are ladies who might keep a bottle of Jameson in the bottom drawer with the tampons and the moisturizer—which Friedman does.

“If I can be frank: If you work in this industry, especially national thought-leader magazines, there are a lot of straight white men,” said Jeffery. “The notion of being some women's lib-type working in this business is not very realistic. It's threatening. No disrespect to my friends who are feminists!”

“Of course, she was a feminist at Carleton College,” said Bauerlein, of Jeffery.

Girl, keep it down!

“What I’m surprised at is that the persona that Ann had as a feminist blogger is pretty much the same persona she has as the editor of GOOD,” said Jeffery, who once hired Friedman as an intern. “Certainly you would not think that type would be allowed to run any kind of magazine, let alone one that's not explicitly for women."

Then there’s Jeffery’s attire. “Jeans and a cardigan,” said one Mother Jones staffer. “She never is in a skirt and heels. It’s very un-EIC!”

Ladies are digital. Jeffery and Bauerlein made motherjones.com into something of a machine and Friedman is not afraid to express her interest in woman stuff on the Web. Sample Friedman tweet: “Office snaxx @GOOD today: garlic pea crostini, asparagus parmesan tarts, berry pavlova, and lavender shortbread." Or Jeffery on Washington's sartorial failings: "Georgetown ≠ fashionable, no matter what Sally Quinn says."

So what is it about 2011 that’s appealing about a lady-editor at a general-interest magazine?

“There’s an appeal to editors who have a ton of estrogen but are  still smart and confident,” said some lady-editor stuck in a traditional women's-mag ghetto. “Lady-swagger — low maintenance lady-swagger — is having a moment.”

** Inspired by this. This is the second post (first here) in what promises to be an ongoing series...

Ann Friedman is the executive editor of GOOD magazine and the curator of LadyJournos!, a site that highlights the work of women writers.More

Contact: ann.l.friedman [at] gmail [dot] com